S R Silcox - Author

Blog updated 2-3 times a month.

Tag: YA fiction (page 1 of 2)

The Invisibility Cloak of an LGBTIQ YA Author

I’m preparing to give my very first author reading in a few weeks, which means I’ve been spitballing ideas on what to talk about that won’t bore the pants off people and maybe, hopefully, even convince them to buy a book or two.

After asking for advice from friends, thinking about the books I write, and reading a good friends brand new blog, I settled on my theme for my pre-reading talk.

Invisibility.

Invisibility is a superpower for those of us who are introverts. It comes in particularly handy for those of us who write in tiny niches, which LGBTIQ YA stories certainly are.

On the one hand, we wish our stories would get much more attention, if not because it would be good to actually make a living wage off our writing, then to be able to reach readers much more easily.

On the other hand, being invisible as an author writing in a tiny niche means almost never having to explain what you write. It means never feeling judged when you get pressed to answer the question ‘what type of YA do you write?’.

Sometimes, when you mention the word ‘lesbian’ in conjuction with being an author, the person you’re talking to jumps right over that assumption barrel and lands on ‘erotica’ – or at the very least, sex scenes.

It can be exhausting explaining that writing lesbian characters, particularly in the young adult genre, does not necessarily equal sex.

So anyway, thinking about this reading, and what I wanted to talk about, I had decided to explain why I choose to write happy lesbian YA fiction.

I’ve been taken to task by some people – not often but often enough – for not writing realistic characters, which essentially means that because my characters suffer no homophobia, have happy endings and have supportive family and friends around them, that I may as well call my books fantasies.

Apart from the fact that I have been lucky enough myself to have a happy ending, have suffered no outwardly bad homophobia that I can think of, and have loving and supportive friends and family, I just think there are other writers out there better positioned to write those darker stories than me.

And that led me to thinking about how authors like me stumble around on the fringes of the publishing industry.

I’m a niche within a niche – a self-published author writing in LGBTIQ YA/children’s fiction, but I don’t write coming out or angsty stories, which is what seems to be currently expected when you add the ‘LGBTIQ’ tag.

While the big publishers are starting to release more fiction in that niche, the authors of those stories still don’t get the huge backing that other authors of more mainstream genres (ie contemporary romance, fantasy, urban fantasy etc) do.

We’re in effect invisible.

Now, being invisible means we get to toil away, writing the stories we want to write without too much pressure being placed on us by publishers to go bigger and better than last time. (Although I do feel a pressure to write the best I possibly can for the readers I have and give them the stories they want to read, but that pressure is internal).

Being invisible also means there’s less chance of copping criticism. Less chance of someone dragging your hard work through the mud, just to take you down a peg or two because you haven’t managed to be inclusive enough.

Seriously. The LGBTIQ fanverse can be brutal – just ask Ruby Rose about what fans thought of her being cast as Batwoman in the upcoming TV series.

So invisibility affords us a get-out-of-jail-free card of sorts. It affords us a fall-back so that we don’t have to step outside of our comfort zone. We don’t have to stick our head above the parapet lest it get bruised or worse, taken clean off.

But invisibility also means that we feel isolated.

Invisibility means we feel like the only gay in the village, when in reality, that’s so often not true.

Invisibility stops us from living our best selves, and from connecting to others like us who will validate us and make us strong enough and confident enough to claim our own unique place in the world.

And so that’s what I’m going to talk about if I get the chance to do my reading next month.

I’m going to talk about how, even though it takes me weeks of mental preparation to talk to a group of people I don’t know, and then days to recover from the stress of it, that it’s important I stick my head up every now and then.

I’m going to talk about the fact that though some people don’t think my stories or my books are realistic, or even any good (which is entirely subjective anyway), that it’s important that I still write them because of those emails and social media messages I get from readers who are just discovering who they are; those who are living in families that aren’t accepting of their sexuality; those readers who have lost friends from coming out; they need my stories.

I know because they’ve told me.

Those readers need something light-hearted and fun, where the characters are accepted for exactly who they are. Where they’re surrounded by supportive friends and family. Where they get a happily ever after.

Those are the books I write. I’m not going to shy away from that anymore.

And I am going to do my damndest to get past my own awkwardness and my own tendency to hide away in order to get those stories to the kids who need them the most.

Here’s how you can help people find queer fiction

I was procrastinating  catching up on twitter news when I saw this tweet by Malinda Lo:

There’s a whole thread and conversation going on over on twitter so if you’re so inclined, head over and check it out.

It got me thinking, though, about how hard it still is to find teen fiction with queer main characters. It certainly doesn’t help when authors miss-categorise and miss-tag (deliberately or otherwise) their erotica books so that when you search for things like “lesbian teen sweet romances” what you get in the search result is anything but what you’re looking for.

If you go via the category links to the LGBT YA category (kindle store>kindle ebooks>teen & young adult>lgbt>fiction), the list is dominated by male authors and male main characters.

Don’t get me wrong. I love that we’re seeing an increase in queer fiction across the spectrum being published, but it seems like gay main characters are getting a lot more visibility than female (and other queer categories) at the moment.

Malinda Lo’s thread goes on to detail her ideas on how publishers, readers and authors can help to make books about queer female teens more visible, but her advice (as she indicates in qualifying tweets) mainly relates to traditionally published books.

So I thought I’d do a quick post with a few ideas on how you can help get the word out about queer books, regardless on how they’re published, but particularly if they’re self- or independently published.

  1. If you’re on Goodreads, shelve the queer books you read into queer-related categories and lists.
  2. Review and rate the books you buy wherever you buy them from and mention in your reviews when there’s queer content. More reviews and ratings help with visibility, especially on Amazon, but mentioning the queer content in reviews helps other readers who are looking for those books to find them. Review the books on your vlog/blog if you have one.
  3. Request them at your school and local libraries. Quite often, librarians aren’t sure where to look to add queer books to their collections, primarily because publishers and some major reviewers don’t go out of their way to talk about the queer content. This may be because they’re afraid it might limit the readership, but also because for self-published and independent authors, our books are often not in the release catalogues librarians get, so they don’t even know they exist. As a reader, you can help libraries get more queer books on their shelves for readers just like you to discover.
  4. Tell your friends about your favourite queer authors and books. As a self-published author, it’s extremely hard, especially early on, to find my audience. We don’t have the marketing budgets that are given to traditionally published authors and we don’t have the industry contacts to get our books into the hands of major reviewers. Word of mouth is one of the most powerful ways for books to find their readers as one reader urges another reader to take a look at their favourite books.
  5. Order your books from your local bookstore when you can. If they get enough orders of an author’s books, they’ll consider stocking them on the shelves.

Finally – and this is less to do with getting the word out and more to do with getting more books written – if you love a book, don’t be afraid to let the author know. Writing in a genre like queer fiction means that authors are often writing into a void, hoping that their books reach readers who need them the most once they’re published. Most of us started off as readers, unable to find the books and stories that spoke to us, that told our stories, that reflected our lives, and so we write them. We write them to fill the libraries of our youth with the stories we wished we’d had.

For my part, I’m going to try to recommend books to you when I can, and even get some lesfic ya authors on the blog for guest posts and interviews.

In the meantime, feel free to jump into the comments here or on Facebook and let me know what queer books you’ve read and recommend. We can always use more books in our TBR pile.

Sunshine Coast Pride Festival Wrap-up

Boxed up and ready for the Sunshine Coast Pride Festival.

 

Sunshine Coast Pride Festival was a blast! 

I just had to get that out of the way first up because it was an amazing day and I am SO exhausted because of it. In a good way, of course!

It was my first time out and about in public meeting people and talking about my writing, so it was hard to know what to expect.

It was also the first time the Festival had gone out on its own away from an established market day so it was a big unknown as to how that would translate into crowd numbers. There was no need to worry though because people poured in all day and the atmosphere was electric.

Author Lesley Dimmock and I got to chat with a LOT of people, which as an introvert, made me exhausted by the end of the day.

But!

I had SO much fun talking to people about Aussie lesfic that Lesley and I (and hopefully a few other Aussie lesfic authors, if we can rope them in) are planning on doing the Author Booth at Brisbane Pride Fair Day in September.

The big takeaway for us from yesterday was that people didn’t know Aussie lesfic authors existed, which is such a shame because I know we’re out there writing some wonderful, home-grown stories. I know quite a few of those authors, in fact.

So, Lesley and I are going to work towards ways we can make our Aussie lesfic authors more visible, so Aussie lesfic readers can get to know us and show us some love by reading our eclectic and unique books that are set in some wonderful places on our big island.

The thing about Pride events that I love, too, is being able to network with people in the community. We spoke to a number of young authors- and poets-in-the-making who we hope we see in our Author Booth in the future.

We also spoke to teachers and people working in service areas that were very interested in adding lesfic books to their libraries and resources for their students and clients. I love that part the most – connecting with people who can get my books into the hands of readers who need and want them the most.

One of the highlights of the day was meeting local lesfic music legend Kristy Apps.

Oh, and it doesn’t hurt that one of your author mates knows one of the biggest names in the local lesbian music scene.

If you haven’t heard the amazing Kristy Apps, you most definitely have to check her out.

Kristy kicked off the Festival with a rocking set that dialled the mood up to ‘party time’.

I also heard a wonderful story about a young man who had just recently come out to his dad, and he and his dad had attended the festival so Dad could learn more about the community. I also heard that young man went home with some rainbow merchandise purchased for him by his dad. How cool is that?

Sometimes those of us who have been out for a long time forget how many kids are still struggling, and sometimes we question the need for Pride events, but stories like that one make you realise why these events are still needed.

So if you haven’t been to one yet, and you get the chance, I highly recommend you go. There’s a good chance you’ll ‘find your tribe’ and have a fantastically fun and gay time to boot.

I will definitely be attending a few more events as an author in the future if I get the chance.

And if you’re an Aussie lesfic author or you know one, or you’re an avid Aussie reader of lesfic, and love the idea of meeting the authors that write our stories, please do get in touch. We’re hoping to get a dedicated Australian lesfic author event (like GCLS and the DIVA Literary Festival) up and running here down under, and we’re happy to take expressions of interest to help us come up with ideas to get started.

See you next week!

 

Crush made a list!

I won’t lie. It’s awesome seeing my books out in the wild and I love nothing more than getting tagged in pics of readers reading my books, or blogs that feature them.

That’s why it was so cool to see that Crush made a list of YA FF/ romance books to read for people who love the movie Love, Simon.

I wasn’t tagged in this one, but I followed a link on a twitter post by Malinda Lo and was pleasantly surprised to see Crush featured. I may have sighed and swooned just a little that readers are still loving Tess and Maddie three years after the book was published.

You can check out all the suggested books on the Bibliosapphic website here.

I’ve read and loved only one of the books on this list – Dating Sarah Cooper – but I will definitely be adding the rest of the books to my TBR list.

As for Love, Simon, I haven’t yet seen the movie, but I’ve just finished reading the book it’s based on, Simon vs the Homosapien’s Agenda, and it makes me look forward to seeing the movie even more.

**POSSIBLE SPOILERS** for those of you who haven’t yet seen the movie or read the book. You have been warned! 🙂

 

Simon is a brilliantly funny, sweet and romantic read, and like a lot of other readers, I loved guessing who Blue was and chopping and changing throughout. (FYI – I did manage to pick it before the big reveal!)

I loved the quirkiness of Simon’s family and the push and pull of his friendships as he navigated school and trying to work out who Blue was himself.

I particularly loved the revelation Simon had while quietly falling for Blue and then acting on it. The apparent ‘newness’ of everything normal in the glow of first love and happiness. Something I remember clearly when I fell in love the first time, and then again later when I fell in love with my wife.

One thing I have seen mentioned on my social media though is how apparently easy Simon and Blue have it on their coming out. How apparently little homophobia they grapple with compared to what can sometimes occur in real life. I’ve heard a few people I know mention this fact, mostly from people in the LGBT+ community who are older and who suffered terribly in their teens and early life. For them, Simon’s story doesn’t ring true, and I get that. They grew up in vastly different times.

But we’re moving on and times are certainly changing for the better.  It’s a great lesson that while some of the stories you read might not be your truth, they’re someone’s truth, whether that’s good or bad, sweetly romantic or littered with stigma and homophobia.

The former is certainly my story and I’m eternally grateful for such wonderfully accepting and loving family and friends who made my story a happy one. It doesn’t erase the bad but it tells both sides. And in a time where more and more countries are changing laws to allow recognition and protection of LGBT+ citizens, I think it’s fantastic that we now get to have our own happy endings.

So many romantic movies have been made about heterosexual teens getting their happy endings, I love how we’re starting to finally see movies where boys can love boys, and girls can love girls, and they get to live happily ever after.

I’m definitely going to have to up my game for the next Girls of Summer book, that’s for sure!

Crush paperback unboxing and pre-order

When I was just starting out on my self-publishing and writing journey, I discovered an author who has become one of my all time favourites. When I was feeling down about my writing, watching his first unboxing video used to give me a great pick-me-up. I still watch every now and then to remind me how exciting this big adventure can be, and how far I have yet to go.

(You can see Hugh Howey’s unboxing of Molly Fyde on youtube here.)

Since Crush is my very first novel, I wanted to share the excitement of opening the box and seeing it in print for the first time. You can see that video below. You can also scroll down to the video below that to hear the details of when the paperback copy will be available and where.

For the initial launch through until the end of July, you’ll be able to get Crush for $12 plus postage. After that, the price will go up to $15 (plus postage).

 

See the video below for details on when the paperback will be released.

Don’t forget, the pre-order page will go up on Monday the 25th May.

Release Day is here!

CrushIt’s release day for Crush, and I thought I’d share some cool facts about the story to celebrate. These are a little spoilerish, but they’re mostly about settings, so no real plot spoilers.

If you don’t like spoilers full stop, then stop reading this post now and go read the book. You can get it here. I’ll wait.

Still here? Fantastic! Here, then, are five cool facts about Crush:

1. Chesterfield is based on the small town I was born in. (Bonus points if you don’t know me personally and can work out where that is – there are clues in the book!)
2. Piggies was a real cafe in that small town.
3. Pop and Gran’s farm is based on the farm my grandparents owned when I was younger. It’s still in my family, though I don’t get to visit it anymore.
4. There really is a Crush Festival, but I didn’t know that until after I started writing the book and was doing some research. It’s nothing like the festival in the book though.
5. And finally, ‘Chitty’ the old VW beetle really exists. In fact, here’s a picture:

Chitty on the farm

Chitty on the farm

You can find out where to buy Crush from here.

Introducing The Girls of Summer series

So, remember those sweet romances we read as teenagers in the 1980s an 1990s? The ones with lesbian main characters who fell for other girls and had fun adventures and happily-ever-after endings? No? Me neither.

I do, however, remember those sweet teen romances from Silhouette First Love, Dolly Fiction, Sweet Valley High… The list goes on. I remember hiding in the stacks in the library at high school reading those books, never checking them out lest they appear on my borrowing record. Though I loved sci-fi and fantasy (Day of the Triffids and The Hitchhiker’s Guide to the Galaxy are still two of my all-time favourite books), when I hit 14 or 15, I started being very interested in the way relationships worked. Because I was a voracious reader, the way I discovered those things was mostly via fiction.

I’ll go into my personal story in a future post, but as I read those short romance books, I quickly learned that it wasn’t the female main characters I identified with the most. It was the male characters that the girls lusted after. I wanted to be those boys that the girls chased after, had fun adventures with and fell in love with by the end of the book.

I didn’t know what that meant at the time, but I knew it meant I was different.

I’m not sure whether reading a book with a girl who fell in love with another girl and nothing bad happened and they got to be together in the end would have made me realise back then that I was lesbian, but who knows?

What I do know is that we’re in an exciting time in the publishing industry, when there are more and more books with diverse main characters making their way into the world. A good number of them, however, deal with the ‘bad’ side of being different – the bullying, homophopbia, unhappy endings, coming out etc. While those stories are needed and valid, we also need stories where sexuality isn’t the main plot point.

I think we need more happy endings, more sweet romances, more girls-who-love-girls and that’s okay stories.

And that’s why I’ve been working on a series of sweet teen romances that will feature lesbian main characters, whose problems are just like any other teen, and whose sexuality is not a major plot point.

I touched on the series in this post back in August last year, but since then, I’ve refined the series idea and decided on a direction for it.

The books in The Girls of Summer series, beginning with Crush, are intended to be short and fun reads. Lighthearted sweet teen romances where the girl might struggle to get the girl sometimes, but she’ll never be dealing with bullying or homophobia as the major plot point.

Though they will be linked by taking place in summer (my favourite season of the year), they will be stand-alones that can be read in any order.

And most importantly, the girl will get the girl in the end.

 

Wattpad Edition

Wattpad Edition

Crush is due for release on the 1st May 2015. You can get it for free before it’s released to the general public by signing up to the mailing list here. You can read the first five chapters and synopsis here.

 

 

 

On ‘Saving Francesca’ by Melina Marchetta and the Aussie voice

After finishing a massive rewrite of a manuscript, I wanted to crawl up in a hole and not do too much at all. The experience of having to more than double the word count of a finished story, while exhilarating when I was done, was also exhausting. I felt like I was out of words. And a writer needs words in order to be able to fashion them into coherent sentences. Which I couldn’t even do while talking out loud for awhile.

During the couple of months I was outlining and rewriting and throwing wads of crap ideas in the bin, I neglected my reading. That was a conscious decision for two reasons. The first is because when I read, I like to be able to devote hours and hours to a book without having my own unfinished work churning in the back of my mind interrupting my reading flow. The second is because I can’t focus on both reading fiction and writing fiction at the same time, and I didn’t want my choices of reading material to sneak into the re-planning of the novel I was working on.

So I neglected my reading.

My reward after finishing that manuscript was to spend a voucher I got for Christmas on books. Real paper books, rather than ebooks, which was also a conscious decision. I love ebooks. I love the immediacy of buying them and having them appear on my kindle to devour instantly, but there’s still something for me about holding a paper book in my hand and turning each page as I read. I also love having those books on my shelves in my study/office, and being able to look at them and try to remember if I liked them, or what they were about. There’s something tangible there, and when I’m recommending a book to friends or my niece, if I can see one on my shelf, it’s easier to remember than looking through my kindle. And it’s easier to pick a book off the shelf and just give it away, which I love to do.

2015-01-10 10.22.48

The books I bought as a reward for finishing my manuscript: Tomorrow, When the Ware Began, Eleanor & Park, Paper Towns and Saving Francesca.

Anyway, I wanted to try a mix of books  and read for both research and enjoyment, and I made a long list of the ones I wanted to read from a few online recommendations lists and then whittled it down to these four. I deliberately made sure to have two Aussie books on there, because I’ve been reading a lot of American authors lately, and while that’s perfectly fine, my own works have very Australian characters in them and I wanted to see how other authors dealt with our unique Aussie language and settings. I haven’t read a lot of Aussie books since I was at high school, which is something I am now in the process of rectifying.

I read Paper Towns first, because I hadn’t read anything by John Green (I know. A YA author not having read John Green. Shock! Horror!) and he’s on everyone’s lips right now. Paper Towns had been recommended to me by a teacher I met awhile ago as the John Green book I should read first, and I loved it. Having watched John and Hank Green on youtube, I could hear John’s voice telling me the story of Q and his quest to solve the mystery of the disappearing Margo Roth Spiegelman. I read it in three sittings, and that was only because I had other stuff to do in between (like spend time with my wife, eating and sleeping). I’ve seen The Fault in Our Stars, but not yet read the book, and I’m looking forward to reading Looking for Alaska.

Today, though, I finished Saving Francesca, by Melina Marchetta, who is a popular YA author here in Australia. I have to say that in the beginning, the book frustrated the hell out of me, and though I’m still not entirely sure why that is, I have a theory. I almost made the decision to just put it down and go onto the next one. I’m one of those people who hates not finishing a book though, so I put it down for a couple of weeks and came back to it when I had more time to focus on reading without interruption. I finished it over the course of three days. I loved the book, and while the story seemed simple enough – teenager in her second last year of high school, navigating her way through an all-boy school that has just started accepting girls, a depressed mother and everything that comes with it – it was the characters who enthralled me the most. By the end I, along with Frankie, the viewpoint character, was surprised at how she’d ended up with so many good friends after resisting so early on. We definitely have a very unique way of writing coming-of-age stories here in Australia.

Saving Francesca is definitely a book I’ll be rereading in the future, and it’ll be one I’ll be giving to my niece to read.

And after thinking on it this morning, I realised that the reason I struggled with the book in the beginning is because I’ve not been reading enough Australian books, and I’ve grown unaccustomed to our unique voice. It was almost like I’d been overseas for a long time and came home to our laconic Australian accent and cringed at it. Which, incidentally, actually happened to me a few years ago when I was in Europe for two months with my wife.

I think that’s also why I’ve struggled with voice in my own writing as well lately, and I’m determined to fix that by trying to focus on more Australian books and authors than I have in the past.

My next read will be Tomorrow, When the War Began, by John Marsden which has been on my radar for a long time.

If you have any recommendations on Australian authors and books I should read, particularly in the YA genre, let me know and I’d be happy to add them to my To Be Read list.

 

Five things I learned from the publication of the First Time for Everything Anthology

I posted pre-order links to the First Time for Everything anthology a few weeks before it was released. I also posted buy links to facebook for the ebook and paperback versions when it released in September, but it wasn’t until I posted photos of me opening the box of author copy paperbacks I received that I got any type of response.

Me with my shiny new paperback copy of the First Time for Everything anthology

Me with my shiny new paperback copy of the First Time for Everything anthology

I think that’s because most people “get” paper books and once they saw me holding it, it became as real for them as it was for me to have a story published. Apart from realising that paper still means “real book” to some people, here are five other things I learned from the publishing experience.

  1. Don’t discourage anyone from supporting you, even if you don’t think your book is to their taste. Friends and family will be excited for you (at least in the beginning) so if they want to buy your book, don’t discourage them.
  2. On the other hand, sometimes, people don’t give a shit. Yes, it’s exciting to publish a book, but not everyone will care. Don’t fret if people don’t share the same enthusiasm as you do and share your news (and links to your book) with everyone they know like you’d hoped.
  3. Take the compliments on board, and then get back to writing. It’s great to get praise for something you’ve laboured over for what seems like months (or sometimes years). The biggest compliment anyone can give you is to buy your next book and they can’t do that if you’re still fawning over the last one.
  4. Share links to your work often (but don’t spam). People miss them on facebook and twitter and tumblr because of the churn of the timeline and other people’s posts. Give a direct link so people can buy in the easiest way possible.
  5. Non-writers are fascinated by writers. Yes, it can get annoying answering the same questions over and over again (“So, do you write, like, Twilight/50 Shades/Game of Thrones/[insert hot new release here]?”) but at least they’re trying to relate to you. Have patience and answer their questions – they wouldn’t ask if they weren’t interested. Plus, you never know when you might gain a new fan.

Bonus:

Take some time to bask in the glory of what you have produced. I know I said get straight back into it and write the next book, but you should take a few days to ride the rollercoaster of emotions that comes with writing and publishing. Not everyone gets to experience the feeling of seeing other people read their words, so enjoy it for a little while and then get back into it.

With all of that said, my time for basking is over so I’m off to write the next one.

On writing short

It’s taken me a long time to get into a sort of groove with my writing. I’ve learned to plot just enough to keep me going on the story without getting stale or losing my way (thanks largely to the “Beats” chapters in Write. Publish. Repeat by Sean Platt and Johnny B Truant – highly recommended for writers everywhere).

Apart from the plotting side of things, it was always hard for me to work out a word count to aim for. Years ago when I first started writing, I’d done my research into manuscript lengths accepted by various publishers, depending on the genre etc. The general rule of thumb back then, as I think it still is now, is that for a new writer, a length of around 75,000 words is a good length to aim for.

75,000 words is a daunting number, especially when you’re just starting out.

The advent of the kindle and KDP have disproved the theory that word counts matter largely, I guess, because digital books don’t have an actual size. Unlike paper books, which we can hold and weigh in our hands and compare to the one beside it for perceived value ($ per page I suppose), digital books don’t seem to get that same treatment.

It’s true that some reviewers have given books fewer stars in reviews because the story wasn’t long enough compared to the price paid (sometimes as little as 99c!), but for the most part, I think those reviewers were just unsatisfied with the endings.

I digress.

A lot of new advice I’ve been reading lately, when newer writers ask about lengths for manuscripts, has been “write to the story’s natural length.” I think the “natural length” theory also applies to writers.

For example, in my first (and only) attempt at completing Nanowrimo, I topped out at around 25,000 words.

Before I started the book I just finished, I gave myself a target of 15,000 words and ended up at just over 21,000 words. It’s yet to be edited, so that word count will change, though probably not markedly.

During the course of writing that book, and plotting out others I’m working on, I’ve realised that novellas between 15,000 words and 35,000 words seem to be my sweet spot. I think the reason for that is that I tend to be a “sparse” writer – just enough detail on characters and scenes to set the reader up, but I leave most of the description to the reader’s imagination. Whether readers will like that or not remains to be seen, but the fact remains that I write better short.

If I don’t give myself a smaller target to hit, I tend to waffle on (as can be seen by some of my earlier blog posts). It’s also a great motivator seeing the word counter tick closer to the target and then surpassing it with plenty more to write when I have smaller limits.

Shorter books seem to be doing well on kindle now too, though it does depend on the genre I think. Hugh Howey’s Wool started with a 12,000 word novella which turned into a 3-book series of novellas, and there are very few people who complained about the length. Incidentally, he also serialised his books, preferring to publish each part as it was finished, rather than wait until he’d completed the entire books.

Romance novellas are going great guns as well, with authors able to churn out more books more quickly in series that fans devour, because they’re shorter reads.

So, whether my books stay around that 25,000 word length or not, only time will tell. For the moment though, that’s what I’m concentrating on, because the best thing about aiming for a 25,000 word book as opposed to a 75,000 word book is that I get them finished sooner.

And nothing motivates me to continue on to the next book like finishing the last one.

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